Connect the included power supply, power-up the microX, and with the VOLUME all the way down, connect the MAIN OUTPUTS (L/MONO and R) on the back panel to your mixer/amp/monitors/interface. You can also connect a 1/8” headphone jack to the front panel. 2. If you are using the microX as a sound source, or as a controller for another piece of gear, make sure that your MIDI IN/OUT cables are connected properly (IN to OUT, OUT to IN). 3. If you are using the microX with a computer, make sure that yo

2: When the MIDI channel settings of the host application and the plug-in software are the same, proper control may not be available. Please change the MIDI channel setting on either the host application or the plug-in software. Please refer to the application’s manual for the correct setting 1: These operations will overwrite the previous MIDI Control settings. If necessary, back up the previous control Midi file. 2: When the MIDI channel settings of the host application and the plug-in softwar

Then tighten both screws. 3. As shown in the illustration, lightly press in on the screw A securing the lock plate to the arm, then gently lift the module using the handle located on the rear panel and release it. The module will slowly pivot down. 1. If the module is lying flat in the storage position, raise it Module removal as described in steps 1–5 of “Raising the module.” Be careful not to pinch your hand between the module and the keyboard assembly. 2. Disconnect the cable plug (L-shaped p

Let's start with the basics: - A Combination is a setup that combines 2 or more Programs, hence the name. - In Combination Edit Mode, you can change settings for a Combination. You can get to the Combination Edit Mode by pressing the COMBI button, then the EDIT button. You can move up and down through the various screens of this mode with the up and down directional buttons, located to the right of the screen. - A Combination has 8 Timbres, or areas that can hold a sound. - You can select one so

The explanations are organized by mode, and page. Explanations and other information on the effects and their parameters are also provided for each effect. Refer to this guide when an unfamiliar parameter appears in the display, or when you need to know more about a particular function. Conventions in this manual References to the TRITON STUDIO The TRITON STUDIO is available in 88-key, 76-key and 61key models, but both models are referred to without distinction in this manual as “the TRITON STUD

and other countries. • Windows XP and Windows Vista are registered tra

ENGLISH 2 – | 2 – | Data in memory may sometimes be lost due to improper use. Be sure to save important data to the supplied Editor/Librarian software. Trademarks Mac is a registered trademark of Apple, Inc. Windows is a registered trademarks of Microsoft Corporation. All other product names and company names are the trademarks or registered trademarks of their respective owners. Disclaimer The information contained in this manual have been carefully revised and checked through. Due to our const

• MDE-X: 19 great MDE-X plug-in effects (many from the award-winning TRITON-series), in VST and Audio Unit formats. • MS20-FX: The amazing filter from the MS-20 can be used as an audio effect as well! • Stand-alone, VST and Audio Units: Synth stand-alone version as well as VST for Windows XP / VST and Audio Units for Mac OS X provided. Text Box: • Software Synths that sound like hardware: Virtual instruments that are indistinguishable from the original MS-20, Polysix and Wavestation synthesizers

This has been fixed. Triton Le - System Version 1.0.2 Availability: December, 2001 Production MIDI [Improvement of function] The setting of Global P2.1 "MIDI Filter" Control Change has been improved to no longer filter the reception of Channel Messages, Local Control On/Off, All Note Off, Omni On/Off, Mono Mode On and Poly Mode On. Arpeggiator [Bug fix] When using "Copy Arpeggiator" Utility on page P6.1 (Combination or Sequencer mode), the settings of the Arpeggiator Run functions were

Some KARMA basics KARMA exists thanks to the vision of Stephen Kay, its creator. It’s an acronym, standing for Kay Algorithmic Realtime Music Architecture. The patterns that KARMA utilizes are called Generated Effects, or GEs for short. Your M3 is loaded with GEs, 2092 of them to be exact! Each Program can be assigned one GE. Combis can be assigned four GEs, and Sequences can be assigned four GEs—at a time! (Record the output of four: it’s preserved as MIDI info; grab four more if you like!) The