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Resumen del manual
It is necessary to establish the date on which your warranty begins, and as proof of ownership in the event of something drastic such as fire or theft. The TD262 / TD212 is fully shielded and may be placed on top of or under other stereo components, provided that its 3/8 -inch “feet” provide sufficient clearance for the cooling needs of the component below. The cassette deck’s inputs and outputs are connected to the TAPE MONITOR connections of your preamplifier, integrated amplifier or receiver using the hook-up cables provided. If you are using external signal processing components such as equalizers, dynamic expanders or surround sound processors which are now connected to your TAPE MONITOR loop, you have two choices. If your pre-amp/integrated amp/receiver has two tape monitor loops and you do not wish your new cassette deck to interact with any components connected to TAPE MON. 1, connect the deck to TAPE MON. 2. Connect the TD262 / TD 212 to the TAPE MON. loop provided on the last outboard component. TD 262/TD212 Stereo Receiver Figure 3 1. Make sure that power to both the TD262 / TD212 and your pre-amp/integrated amp/receiver is turned OFF. 2. Connect one set of hook-up cables from the TD262/ TD212’s INPUT sockets to the appropriate TAPE MONITOR OUTPUT on your receiver/pre-amp/etc. It may be identified as REC or OUT, depending on the component. 3. Connect the other set of hook-up cables from the TD262 / TD212’s OUTPUT sockets to the appropriate TAPE INPUT. This may be labeled IN, PLAY or MON. During hook-up, take care to match left and right component plugs with the left and right input jacks on the cassette deck. Common practice is to treat the red plug as right and the grey/ black/white plug as (eft. Upon completion of the audio connection, proceed with connection of the power cord into the appropriate outlet. If tape is slack inside the cassette shell, it can cause jamming and possible destruction of the tape. Before playing or recording, insert a pencil into one of the cassette shell hubs and wind it until all the slack iis taken up. 1. Make sure the TD262 / TD212 is turned on. 2. Depress the EJECT button, insert the tape with the open side of the cassette shell downward and close the cassette compartment door. 3. Select the proper BIAS/ EQUALIZATION setting. 4. If the tape is encoded in Dolby B or C, use the NR and TYPE buttons to turn on the proper noise reduction circuits. 5. Press > . 1. After loading a tape into the TD262 / TD212, set the BIAS/ EQUALIZATION, NR, and TYPE switches to their proper positions. IA. Set the BIAS FINE TRIM to its center position (or refer to the next set of instructions on how to adjust bias to match a particular tape formulation.) IB. If you are recording from FM, make sure to turn on the MPX FILTER. 2. Press o li (REC/PAUSE). The red REC indicator lit up and PLAY indicator blinks at the same time. 3. Play a section of the program to be recorded which is loud, i.e. has a wide dynamic range with ample bass and midrange. 8 4. Set the INPUT LEVEL knob until regular musical peaks register uo to OdB with occasional peaks registering as high as +3db'. 5. Press > to begin recording. 6. During recording, watch the Peak Level Indicators to make sure that regular peaks do not exceed +3dB‘. • To insert a momentary blank space, press REC MUTE (TD 262 only). • To pause during recording, press o ii (REC/PAUSE). Press > (PLAY) to continue recording. • To stop recording, press ■ . 1. When using metal tape formulations with Dolby C noise reduction, it is possible to record occasional musical peaks as high as +5dB. To determine if saturation distortion has occurred while recording at higher levels, reset the counter to 000 during recording, then later rewind the tape back to that point and play back that section. This is a simple way to fine tune your cassette tape and deck. It uses interstation tape hiss as a test source. The BIAS FINE TRIM control is rotated in increments each time the Tape Counter advances 10 units. Then, when listening to playback , you can use the Tape Counter to determine which BIAS FINE TUNE position provided the best frequency response. Please note that the BIAS FINE TRIM control has less effect with metal tape than with LN or CrC>2 tapes. 1. Make sure that the NR button on the TD262 / TD212 is in the OUT position (off). 2. Select the proper BIAS/EQUALIZATION setting to match the tape type being used. 3. Rotate the BIAS FINE TRIM control as far as it will go to the left (hi cut). We will refer to this as the “7 o’clock” position, since it corresponds to that position on a clock face. 4. Set your receiver/pre-amp/integrated amp’s SOURCE selector to TUNER. 5. Turn off any MUTE and SEEK features on your tuner (or tuning section of a receiver) and tune between stations until you hear only loud hiss (interstation noise). 6. After loading a blank cassette into the deck, press » to advance toward the middle of the tape. 7....
Otros modelos de este manual:Receptores - TD212 (678.73 kb)