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The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug. NEUTRAL LIVE For the U.K. The OCTAPAD Legend The OCTAPAD Legend was the year that Roland s revolutionary percussion instrument was announced — the OCTAPAD (PAD-8). A totally unique percussion instrument, the OCTAPAD allowed one to perform on the 8 pads, and via MIDI, control a drum machine (like the TR-909) or an external MIDI module or sampler. This instrument was immediately adopted by musicians around the world, not only for playing drum or percussion sounds, but also using it to perform all styles of music. 1988 saw the release of the OCTAPAD II (PAD-80), which not only maintained the exciting features of the first generation OCTAPAD, but added many new ones like Layering and pedal control. 1990–1998 was the era when musicians used either of the first generation OCTAPADs. As they did not have an on-board sounds, most of the time they were connected to drum machines, (TR-909, R-8 etc) So In 1990, Roland introduced the SPD-8 which had its own on-board sound source. In 1993, It was followed by the SPD-11 which not only had more sounds but also built-in effects processing. And then in 1998, the legendary SPD-20 appeared on the scene. Which featured a major enhancement to its sounds. So throughout the years, the SPD series continued to evolve. And even though the instrument was called and SPD-8/11/20, most people will referred to it as an OCTAPAD. 2010 marks the comeback of the new OCTAPAD (SPD-30) for the 21st century. While maintaining the basic design of the precedent models, this new OCTAPAD features a large display, a friendly user interface, cutting-edge sounds, effects, USB MIDI and the latest pad sensing technology developed for the V drums series. The most exciting and evolutionary step of the new OCTAPAD is its “Phrase Loop function which allows you to turn your inspiration into sound; meaning you can create your own rhythm loops, and layer your performance on top, all in real time. That alone enhances the potential of the 8 pads on board, and expands the playable combination of percussion instruments. The quarter century legend of the OCTAPAD continues. Contents Turning the Power On/Off 6 AdvanceOperation 1(Kit) 30 Overview 7 01 Overview of the OCTAPAD 8 What is an Inst?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 What is a Kit? .................................... 8 What are Ambience and FX?. . . . . . . . . . . . . . . . . . . . . . 9 What is a Phrase Loop?. . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Editing and Saving Your Data. . . . . . . . . . . . . . . . . . . . . 9 02 Panel Descriptions 10 Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Rear Panel Connections ............................ 12 03 Displays and Operations 14 KIT Screen ......................................... 14 QUICK MENU Screens .............................. 15 MENU Screen ...................................... 16 PHRASE LOOP Screen .............................. 18 04 FACTORY RESET 20 Basic Operation 21 01 Selecting a Kit 22 [KIT] Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 KIT LIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 FAVORITE KITS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 KIT CHAIN Function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Foot Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 02 Selecting an Inst (INST) 23 03 MULTI EDIT 24 04 Effects Editing (AMBIENCE and FX) 25 AMBIENCE ......................................... 25 FX ................................................. 25 05 Recording a Phrase Loop (PHRASE LOOP) 26 Step 1: Select a Kit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Step 2: Make Settings Before Recording. . . . . . . . . . . . . 26 Step 3: Recording .................................. 27 Re-doing the Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Erasing a Track (ERASE). . . . . . . . . . . . . . . . . . . . . . . . . . 28 Undoing a Recording (UNDO) . . . . . . . . . . . . . . . . . . . 28 Clearing the Phrase (CLEAR PHRASE) . . . . . . . . . . . . 28 Saving the Phrase (SAVE PHRASE). . . . . . . . . . . . . . . . . . . 28 Exiting Phrase Loop Mode. . . . . . . . . . . . . . . . . . . . . . . . . . 28 Creating a Kit 30 Inst Settings (INST). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Inst and Layer Settings (INST-INST) .............. 30 Editing an Inst (INST-EDIT). . . . . . . . . . . . . . . . . . . . . . . 31 Hi-hat Settings (INST-HH CTRL). . . . . . . . . . . . . . . . . . 32 INST Screen QUICK MENU. . . . . . . . . . . . . . . . . . . . . . . ...

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