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Resumen del manual
The channel faders do not control the Cue volume. 15. Headphone Mix - controls the mix of PFL and PGM signals to your headphones. When the slider is moved to the left, all you will hear is the cue source. When the slider is all the way to the right, you will hear what is playing through the master output. By blending, beats can be matched exactly and segues can be smooth when a song is cued. 16. Headphone Level – adjusts cue volume. 17. Split/Blend Cue – controls how PFL and Program audio are sent to your headphones. In split mode, the PFL audio can be heard in your left ear and PGM audio can be heard in your right ear. In blend mode, both PFL and PGM can be heard in both ears. 18. Headphone output – for your 1/4” or 1/8” headphones. OUTPUTS 19. Master Fader – controls the overall output level. 20. Booth/Zone Fader - controls speaker volume for a remote zone or booth monitors. NOTE: This can also be used to supply line level audio to a lighting controller or to lights that are sound activated. 21. Stereo Auto Peak Hold Level Indicator- quickly and accurately tracks level of audio output. The red LEDs for +3dB, +5dB and +8dB hold program peaks for a second or two. With peak metering, it's OK to be "in the red" as long as +5dB or +8dB aren't constantly lit. When using as a master output meter, set the crossover, equalizer and power amp inputs to avoid distortion at each step in the audio chain. Proper attention to the peak meter results in the punchiest possible sound without audible distortion. CROSSFADER 22. Infinity™ Crossfader - achieves clean segues between the two input channels selected by the Crossfader Assign. See page 10 for a more detail description of this exciting new design. 23. Crossfader Slope – determines how quickly the audio from the opposing side of the crossfader activates. A tight curve (hard right) turns on the opposing audio signal with very little crossfader movement. A loose curve (hard left) makes very long and smooth segues in transition. 24. Hamster switch with Off position – reverses the direction of the crossfader. In the center position the crossfader is deactivated. 25. Crossfader Assign – channels 1 or 2 can be assigned to the left. Channels 2 and 3 can be assigned to the right. If for example channels 1 and 3 were selected then "Hard left" selects Channel 1 and "Hard right" selects Channel 3. With the crossfader centered, both assigned channels are live. Use the crossfader for fast and seamless segues from one selected channel to the other. Note: If channel 2 is selected on both sides, the crossfader will turn off channel 2 in the left position and turn it on in the right position Note: The crossfader is user replaceable in case of failure. Simply unscrew the two large screws that hold it in place, lift it out and disconnect its cable. Re-attach the new crossfader and screw the mounting plate back onto the unit - you’re back in business! -The Leader in DJ Technology ©1999 Industries - 7 - PRO SM-3 REAR PANEL FEATURES 1 10 14 1312 11 9 2 1. Power Switch – to turn unit on after you have turned on all input devices and before you turn on any devices attached to the output. 2. Power Supply Input -to plug your power adapter in before switching on power. See safety precautions on page 3 for proper treatment of power. 3. Mic Process Send – attach this output to any devices you would like to process the microphone with. This output is activated by the front panel mic process button. 4. Mic Process Return – bring your processed mic signal back in through this input. 5. Phono/Auxiliary Inputs – plug your turntables or line device in here. Select the AUX/PHONO switch (6) to the desired input. 6. Phono/Auxiliary switch – select the appropriate position for your input device. With phono selected the input signal is fed directly to the PRO SM-1's high-quality RIAA phono pre-amplifiers so use this input only for turntables. Line level sources will overload the sensitive phono pre-amps. Switch this over to the AUX position for line devices such as CD players and Tape decks. 7. Ground lug - use these connections with your turntables’ grounding cable to avoid signal hum. 8. Line Inputs - to connect stereo audio from HiFi VCRs, cassette and reel-to-reel tape decks, DAT machines, CD players, laser discs, tuners, even synthesizers or other mixing consoles. NOTE: Plug mono audio sources into both Left and Right inputs using a “Y" cable connector. 9. Zone Output - an unbalanced output controlled by Zone Level control on the face panel for extra speakers, lighting, or recording your mix.. 10. Zone Stereo/Mono Switch - allows the user to adjust the signal accordingly. 11. Unbalanced Main Outputs – program output controlled by the Master fader knob. 777 666 858585 3 4 12. Channel Send – The output is determined by pushing the front panel process selectors next to each channel. Note: this mixer was design to use one processor for many channels, If more than one channel is selecte...