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It may feel warmer to the touch than a traditional steel chassis, but there’s no need to worry. Front Panel Functions: What they do and how to use them ON GO OFF REST MASTER BASS MID TREBLE DRIVE RHYTHM FOOTSWITCH On / Off: Power On and Off switch. Make sure the black Go/Rest switch is set on Rest before you turn the power to On. Go / Rest: Standby control. Always remember to leave it on Rest for at least 30 seconds before turning it to Go when you turn the amp On. Always switch the amplifier to Rest before plugging or unplugging any devices or cables. Master: The Master controls the overall Volume of your amplifier. It also has a push/pull feature that allows you to select between the Rhythm (push) and Drive (pull) channels. The higher the setting, the louder the output and greater the tube saturation. Note: pulling this control will disable the footswitch function. Bass: Use this control to dial your bass frequencies. Adjustments to this manual usually depend upon your pickup configuration; single coils will require more bass and humbuckers less. Mid: Use this push/pull control to dial in your midrange frequencies. Mids are the most active part of the EQ circuit. Cutting scoops your tone, sort of like creating a “V” in a graphic equalizer. Boosting them will add more fundamental guitar frequencies. • Pull “Thick”: Pulling this control will add fullness to the tone of the amp. This is more noticeable in the Drive mode, but affects the Rhythm mode as well. Treble: Use this control to dial in your treble frequencies. Typically, guitars that use single coils will require less treble and humbuckers more. Drive: This controls the overall distortion of your amplifier. • Lower settings will offer a blues type of gain • Mid settings are good for crunch • Higher settings are great for solo work Rhythm: Use the Rhythm control to adjust the gain of your Rhythm channel • Pull Brite: This control adds brilliance to the Rhythm channel. Use this to create shimmery clean tones and also to give your treble a boost when using guitars with humbuckers and darker-sounding woods. Input: This is where you plug in your guitar cable. Footswitch: Plug your Budda single-button footswitch cable here to switch between the Rhythm and Drive channels of your amp. If you forget your switch at the gig, you can pull the Master control to access the Drive channel. Rear Panel Functions: What they do and how to use them Effects Loop: Superdrive V amps have passive series loops. This is where you plug in your effects devices. Send: Use this jack to send your signal to an external effect unit input, or to another amplifier’s effects return input. This signal comes from the preamp and includes the EQ section and Master Volume control of your amplifier. Return: Use this jack to receive the output of your effects device or another amplifier’s send or direct output. This path sends the signal to the power amp and is post EQ and Master Volume. At this point you are accessing only the power (output) section of the amplifier. Slave: The Slave out is a 100-ohm compensated signal that is in parallel with the speaker output. It contains the full complement of preamp and power amp characteristics of your amp. Use this output to send your signal to a power amplifier connected to additional speaker cabinets for a louder version of your amp. Slave Level: This controls the level of the output from your Slave out. If slaving to an effects unit in a stereo amp rig, use the unit’s input sensitivity LED lights as a gauge to set the slave level. Use this control to avoid overloading the input of your slave amp or effects unit. Speakers: This is where you plug in your speaker cabinets. Impedance: Select the proper impedance to match your speaker load. Our combos and cabinets are normally wired for 8 ohms unless otherwise stated. Getting Started: Initial Setup: Start with the Drive channel, then set up the Rhythm channel. Drive Channel • Select the Drive channel by pulling the Master control out. Set the Master Volume at approximately 9 o’clock. • Next, use the Drive control. We recommend starting at around 10 o’clock. As you rotate the knob clockwise, listen to your signal until it begins to distort. The higher the setting, the more distortion you will add to your signal. Dial the right amount of distortion until you are satisfied with your overdrive. Go back and turn up the Master Volume to add girth to the overall tone. Notice how the amp sustains a note longer when the master is turned up. Find your sweet spot using the Drive and Master controls. This will be a good reference for your Drive channel. Rhythm Channel • Select the Rhythm channel by pushing the Master control in. • Next, use the Rhythm control Rotate clockwise until the volume of the Rhythm channel is at a good level relative to the volume of the Drive channel. Try pulling the Rhythm/Brite control to add treble, shimmer and brightness (see Pull “Brite”). Troubles...

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