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Manual de usuario Roland, modelo DSD-3

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This knob actually changes the delay time set by the Mode Selector Switch from "x 0 25” to “ x V continuously. [Sampler Mode] In this mode, the knob determines the sampling time from 200 to 800ms. Rotating this clockwise wtl! make the time longer ©MODE SELECTOR SWITCH Four modes are optional with this switch: two Delay modes and two Sampler modes as follows. [Delay Modes] At S the range is 200ms. By using the Time Knob the delay time can be changed continuously from 50 to 200ms. At L the range is 800ms The delay time can be changed continuously from 200ms to 800ms with the Time Knob. [Sampler Modes] RECPLAY: The recorded sound is played and new sound is simultaneously recorded. PLAY ONLY: The sound recorded in REC/ PLAY mode is sustained and played. ‘The sound is sustained until the power is turned off or different mode is selected. O AC ADAPTOR JACK This is to connect an AC adaptor IBOSS PSA series). Connecting the AC adaptor to this ]ack will turn the DSD-3 on (While the AC Adaptor is connected, the Output Jack 0 does not work as ON OFF switch, i " Please note that the BOSS ACA series AC adaptors do not match the DSD-3because of rated current difference. ©CHECK INDICATOR [Delay Mode} This indicator lights up when the effect ¡s turned on, and goes out when off. [Sampler Mode] The indicator lights up white the sampled sound is being recorded or played * Check Indicator atso serves as the power indicator. When the DC supply being fed is not enough fof the DSD-3 to operate, the indicator fails to light ©EFFECT LEVEL KNOB This knob is to adjust the level of the delay/ sample sound Rotating this knob clockwise increases the volume of effect sounds. At the MAX position the delay/sample sound level becomes equal to that of direct sound, and at the MIN position only the direct sound is heard. o FEEDBACK LEVEL KNOB [Delay Mode] In this mode, this knob decides how many times the delay sound is to be repeated. Rotating this knob clockwise increases the number. At the fully counterclockwise position single delay will be obtained. [Sampler Mode] In this mode, the knob should be set at the fully counterclockwise position. Rotating the knob clockwise mixes recorded sound with the sample sound and an effect like multitrack recording is obtained. * In the Sampler mode, recording or playing is started by pressing the pedal or feeding an external trigger signal through the Trigger In Jack *lf the pedal switch is kept depressed, the trigger is supplied continuously ©INPUT JACK This is to connect an electric instrument, mike or the like *lf the microphone has sufficient output, it can be directly connected to the Input Jack. If not, use a mixer such as BOSS BX-400 and/or preamplifier. ©TRIGGER IN JACK This is to receive the signal sent from the Trigger Output of a rhythm machine. PEDAL SWITCH [Delay Mode] In this mode, the pedal switch works to turn on or off the effect. [Sampler Mode] In this mode, the pedal switch works as a trigger (start) switch for recording or playing. If the pedai is kept depressed, recording or playing is continuously repeated • Adopting the FET switch, the DSD-3 is free from click noise ©THUMB SCREW Loosen this screw to open the cover for battery replacement. * Oo not remove the screw from the cover, or you may lose it OPERATION F— [1] Delay Mode ' o Make all the necessary connections, then set the controls on the panel as shown left. Q Press the Pedal if the Check indicator is off. Now effect is on Dim or dark indicator means a poor or no power. Check the power supply, AC adaptor or battery (when not using AC adaptor). * The DSD-3 takes for about 5 seconds to begin outputting effect sound after the pedal has been pressed. This is because of the butlt-in muting circuit. Q Select a delay time range with the Mode selector and set the Time Knob to the desired position. Q With the Feedback Knob, set how many times the delay sound is to be repeated. * Oscillation may occur as you rotate the Feedback Knob clockwise. Q Set the level of the delay sound with the Effect Level Knob. * At the MAX position, the volume of the delay sound becomes equal to the direct sound —i«[3} Application (Sync with programmable rhythm machine) O Connect the Trigger In Jack on the DSD-3 to the trigger output on the rhythm machine. lOther connections are the same as above.) Q Set the controls on the panel as shown left, then enter the trigger positions into the rhythm machine. Now, you can hear the defay sound which perfectly syncs to the timing ptogrammed in the rhythm machine. {For instance, if you enter quarter notes, the sound that is delayed precisely quarter notewill be obtained.) Q Set how many times tbe feedback is to be repeated and the level of the delay sound as you like. * By entering odd rhythms into the rhythm machine, you can enjoy irregular repetition of the echo effect. Also, the echo can be changed automatically by the patterns you have entered [21 Sam...