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Echo Level Echo Level L in R in L out R out Tape Echo Direct Level Direct Level Parameter Value Explanation Mode S, M, L, S+M, S+L, M+L, S+M+L Combination of playback heads to use Select from three different heads with different delay times. S: short, M: middle, L: long Repeat Rate # 0–127 Tape speed Increasing this value will shorten the spacing of the delayed sounds. Intensity # 0–127 Amount of delay repeats Bass -15–+15 dB Boost/cut for the lower range of the echo sound Treble -15–+15 dB Boost/cut for the upper range of the echo sound Head S Pan L64–63R Independent panning for the short, middle, and long playback headsHead M Pan Head L Pan Tape Distortion 0–5 Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion. Wow/Flutter Rate 0–127 Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) Wow/Flutter Depth 0–127 Depth of wow/flutter Echo Level # 0–127 Volume of the echo sound Direct Level # 0–127 Volume of the original sound Level 0–127 Output level R in R out L in L out Lo-Fi Lo-Fi Noise Gen. 2-Band EQ 2-Band EQ Parameter Value Explanation LoFi Type 1–9 Degrades the sound quality. The sound quality grows poorer as this value is increased. Post Filter Type OFF, LPF, HPF Type of filter that follows the LoFi effect OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Post Filter Cutoff 200–8000 Hz Center frequency of the filter W/P Noise Type WHITE, PINK Switch between white noise and pink noise. W/P Noise LPF 200–8000 Hz, BYPASS Center frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut) W/P Noise Level # 0–127 Volume of the white/pink noise Disc Noise Type LP, EP, SP, RND Type of record noise The frequency at which the noise is heard depends on the selected type. Disc Noise LPF 200–8000 Hz, BYPASS Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Disc Noise Level # 0–127 Volume of the record noise Hum Noise Type 50 Hz, 60 Hz Frequency of the hum noise Hum Noise LPF 200–8000 Hz, BYPASS Center frequency of the low pass filter applied to the hum noise (BYPASS: no cut) Hum Noise Level # 0–127 Volume of the hum noise Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W– D0:100W Volume balance between the direct sound (D) and the effect sound (W) Level 0–127 Output level Effects List Effects List 59: TELEPHONE This is an effect that intentionally degrades the sound quality for This effect produces a muffled sound, like that heard through a telephone. creative purposes. L in R in L out R out Compressor Lo-Fi Lo-Fi Compressor 2-Band EQ 2-Band EQ Parameter Value Explanation Pre Filter Type 1–6 Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. 1: Compressor off 2–6: Compressor on LoFi Type 1–9 Degrades the sound quality. The sound quality grows poorer as this value is increased. Post Filter Type OFF, LPF, HPF Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Post Filter Cutoff 200–8000 Hz Basic frequency of the Post Filter Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W– D0:100W Volume balance between the direct sound (D) and the effect sound (W) Level # 0–127 Output level L in R in L out R out Telephone Telephone Parameter Value Explanation Voice Quality # 0–15 Audio quality of the telephone voice Treble -15–+15 dB Bandwidth of the telephone voice Balance # D100:0– D0:100W Volume balance between the direct sound (D) and the effect sound (W) Level 0–127 Output level 60: PHONOGRAPH Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable. L in R in Phonograph Phonograph L out R out Balance W Balance W Balance D Balance D 58: LOFI RADIO In addition to a Lo-Fi effect, this effect also generates radio noise. R in R out L in L out Lo-Fi Lo-Fi Radio 2-Band EQ 2-Band EQ Parameter Value Explanation LoFi Type 1–9 Degrades the sound quality. The sound quality grows poorer as this value is increased. Post Filter Type OFF, LPF, HPF Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Post Filter Cutoff 200–8000 Hz Basic frequency of the Post Filter Radio Detune # 0–127 Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further. Radio Noise Level # 0–127 Volume of the radio noise Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain ...