Its high degree of flexibility enables the set up and optimization of active multiway systems with variables previously unavailable in a single-rack-space device. The unit can be configured in two-way stereo, two-way dual mono, three-way mono with a direct out and four-way mono. Functional blocks in the unit include high- and low-pass filters, tunable low-cut filters to extend the low-end response of bass cabinets, parametric equalizers, low- and high-shelving equalizers, limiters and delays. T

The unit has a lightweight and durable chassis with a recessed front panel for control knob protection. The mixer’s lightweight design combined with its high-power amplifiers make it a step ahead of the competition. The mixer consists of eight channel inputs which may be used as either a balanced mic input or a high-impedance line input. Each of these channels has a gain control, clip LED, independent monitor send, a three-band equalizer with mid-frequency sweep, effects send, pan control, and

Redmond, WA 98052 Phone (20G) 883-3510 P N 70000» 1. Introduction The 6100 series mixers are the natural result of exhaustive laboratory research and actual field testing This mixer is designed to be easy to use. and to provide optimum performance under even the most demanding conditions The 6100 mixing system incorporates every one of TAPCO's time-tested design and construction techniques into a unit that gives you every control you need, and a format designed specifically for live music so

10 AUX3............................................................... 12 Phones + Mono Out + Standby........................................... 13 Master + Power Amplifier................................................ 14 Rear panel........................................................... 18 Standard installation + Master patchbay and installation alternatives ............. 19 Specifications.........................................................26 Block diagram......................

Thus, your first choice should be to establish the mix using only the input channel EQs tosee if you can get satisfactory results. If so, you can use the graphic EQ for the AUX3 (monitor), where in most cases it is more needed. You will find the description of how to include the graphic EQ in the monitor bus later in this owner’s manual. 58. MASTER LED-DISPLAY The PSX offers two 10-segment LED ladders to monitor the output levels of the L/R master signals. The indication range of the LED-meter i

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Input/Mono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Input/Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 AUX3 . . . . . . . . . .

The overall volume is set through the use of the master faders. Even though the channel faders offer an additional gain of +10dB, we would recommend that you not exceed the +5dB mark. If the PSX’s main bus gets “overloaded” with too many “high level” input channels, despite its special negative gain structure, the summing amplifier could be driven into clipping. Once you reach a level where some channel faders are set above the 0dB marking, we would recommend you lower the setting of each channe

1 1.1 Rack Mounting...................................................................................................................................... 1 1.2 Ventilation.........................................................................................................................................1 2 SIGNAL CONNECTIONS.............................................................................................................................. 1 2.1 Input Connections................

TROUBLESHOOTING WARRANTY one Specifications SECTION 1.0 GENERAL SPECIFICATIONS FREQUENCY RESPONSE — Mic Input to Any Output. EQ Flat. All Faders Nominal 20-20.000 Hz ± 1 dB TOTAL HARMONIC DISTORTION — <0.05% at +4 dBu'. 20-20.000 Hz <0.10% at +24 dBu. 20-20.000 Hz HUM AND NOISE — Measured with a DIN audio filter (22-22 kHz) -128 dBu EIN-equivalent input noise, mic input terminated 150 G. Mixer signal-to-notse ratio measured with masters at nominal and all inputs off. 79 dB CROSSTALK —

The M4 has been designed to give you years of trouble-free use with excellent performance. Although it is relatively easy to use, you will find hookup and operation simpler if you spend some time reading this manual to familiarize yourself with the M4's many features. FEATURES • 16 or 24 mono input channels that can route signals to 4 subgroups, 6 aux sends, stereo and mono master outputs. Each channel has balanced XLR microphone inputs and balanced TRS 1/4-inch line jacks. • 4 stereo input c