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Resumen del manual
Knob [4] Control2: Balance [L63…CNT…R63] Sets the balance between the L channel ([AUDIO INPUT 1]) and R channel ([AUDIO INPUT 2]) jacks. For details on how to processing an external audio signal, refer to “Processing an external audio signal”(.p.29). When Knob [1] Wave: Saw, Pulse, Triangle, Sine and Knob [2] OSC1 Mod: Cross Knob [3] Control1: Modulation Depth [000…127] Adjusts the cross modulation depth. Knob [4] Control2: LFO 1 Intensity [000…127] Adjusts the depth of the additional modulation applied by LFO1 to the cross modulation effect. When Knob [1] Wave: Saw, Pulse, Triangle, Sine and Knob [2] OSC1 Mod: Unison Knob [3] Control1: Detune [000…127] Adjusts the difference in pitch between the five unison oscillators. Higher values will 29 5. OSC1 (Oscillator 1) broaden the pitch difference between the oscillators, producing a richer sound. Knob [4] Control2: Phase [000…127] Specifies the phase of each oscillator at note-on. This will affect the tone of the attack. A setting of 127 will change the pitch and volume. 000 (0.) 063 (90.) 127 (180.) Saw Pulse Triangle Sine When Knob [1] Wave: Saw, Pulse, Triangle, Sine and Knob [2] OSC1 Mod: VPM Knob [3] Control1: Modulation Depth [000…127] Adjusts the depth of VPM. Knob [4] Control2: Modulation Harmonics [001…32] Specifies the frequency of the VPM modulator as a harmonic multiple of oscillator 1. Processing an external audio signal You can use the filter, amp, EG, and LFO etc. to process the signal from a external synthesizer, rhythm machine, or audio device in the same way as an oscillator waveform. Before you connect an external device, turn off the power of the R3 and of any external output devices and power amps. 1 Turn the [AUDIO INPUT 1] and [AUDIO INPUT2] knob to the MIN position, and set the [MIC] switch to REAR. 2 Connect the output jacks of your external device to the [AUDIO INPUT 1] jack and [AUDIO INPUT 2] jack, and set the AUDIO INPUT 1 [MIC/ LINE] switch to LINE. 3 After making connections, turn the power on to your external device, the R3, and your powered monitor speaker system - in that order. 4 Select a synth program and initialize it (hold the [SHIFT] button and press the PROGRAM SELECT [2] button. Press the blinking [2] button to initialize; [EXIT] to cancel.( .p.75). 5 Turn the [PAGE] dial to the 5. OSC 1 page, and set “WAVE” (knob [1]) to AudioIn. 6 Send an audio signal from the external device, and turn the [AUDIO INPUT 1] and [AUDIO INPUT2] knob toward MAX as far as possible without allowing the AUDIO INPUT 1 and AUDIO IN 2 LED to light red. MIDI IN MIDI OUT tone generator module, rhythm machine, or audio device 7 While inputting an audio signal, play the keyboard. 8 Edit the FILTER, AMP, EG, LFO, and effects as described in “Basic editing procedure” (.p.19), to modify the sound. The PITCH-related parameters have no effect on the sound from the [AUDIO INPUT 1] and [AUDIO INPUT 2] jacks. In this example, you could connect the R3’s MIDI OUT to the MIDI IN of your external MIDI device and set the MIDI channels to match, so that your sound module or other external MIDI device will produce sound when you play the keyboard of the R3 (.p.64). You can use the R3’s keyboard to play the sounds of your external device, and use the [PAGE] dial and the CONTROLS [1]–[4] knobs to modify the sound. You can use an external input as the carrier of the vocoder. If the 2. Unison page “Sw” (knob [1]) is On (2–4 Voice), certain parameters are automatically set to allow the audio input to be handled in stereo. In this case, please note the following points. •Regardless of the OSC1Ctr2: Balance setting, the L-channel signal will be fixed at L63 and the R-channel signal at R63. •Regardless of the 2. Unison page “Sw” setting, this parameter will be fixed at 2 Voice. •If the 2. Unison page “Spread” parameter (knob [3]) is set to 0, both the L-channel and R-channel of the timbre output will be panned (.p.37 12. Amp page “Panpot” parameter) to CNT. If the “Spread” parameter is set to 127, they will be set to L63 and R63. 6. 6. (Oscillator 2) Here you can make settings for oscillator 2. You can create a variety of sounds by using two oscillators together. For example you can adjust knob [3] (“OSC Semi”) and knob [4] (“OSC2Tune”) so that one oscillator acts as though it were part of the overtone structure of the other oscillator, set the pitches of the two oscillators to an interval of harmony, or set both oscillators to the same pitch but slightly detune one of them to create a detuning effect. You can also use Ring Modulation and Oscillator Sync to create very complex overtone structures. (This is set by “OSC Mod” (knob [2]).) Knob [1] Wave (Waveform Select) [Saw, Square, Triangle, Sine] Selects a waveform for oscillator 2. Saw: A sawtooth wave. Square: A square wave. Triangle: A triangle wave. Sine: A sine wave. If you do not hear the sound of oscillator 2, raise the 7. Mixer page “OSC2 LEVEL” (knob [2]). If you want to hear only the sound of oscillator 2, lower...