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Resumen del manual
% [ENTER/EXECUTE] button Press this button to register settings and perform a range of other tasks. ^ [UTILITY] button (see page 56) Press this button to call up the Utility screen. & [FILE] button (see page 60) Press this button to call up the File screen. * [STORE/ASSIGN] button (see pages 29 and 40) Use this button to call up a screen for storing Performance settings, Master Equalizer settings, or Utility settings. In addition, by pressing and holding the [STORE/ASSIGN] button (for at least one second) within the Performance screen or a setting screen (for any block other than the Master Equalizer), you can call up a screen for directly assigning each of the Knobs 1 to 6 to block parameters. ( Number buttons (see page 27) Use Number buttons [1] to [16] to select different Performances within the currently-selected memory bank. A Memory buttons (see page 27) Press the [PRESET], [USER], or [EXTERNAL] button to select the Preset Performance memory, the User Performance memory, or an External Performance memory, respectively. B Bank buttons (see pages 21 and 27) Press the [A], [B], or [C] button to select the corresponding bank within the current Performance memory. C [USB TO DEVICE] port (see page 23) USB flash-memory devices can be plugged into the CP1 via this port. CP1 Owner’s Manual 17 Rear Panel 18 CP1 Owner’s Manual Component Names & Functions Rear Panel 1 [P] (power) switch (see page 13) Use this button to turn the CP1 on and off. 2 [AC IN] socket (see page 10) Use this socket to connect the power cord. Note that only the power cord provided with the CP1 should be used to supply power. 3 MIDI [IN], [OUT], and [THRU] connectors (see page 35) Use the three MIDI connectors to link up your CP1 with other MIDI devices. 4 [USB TO HOST] port (see page 36) Use this port to connect the CP1 to a computer using a USB cable. 5 [SUSTAIN], [SOSTENUTO], and [SOFT] footswitch jacks (see page 30) These jacks are used to connect the pedal unit that comes with your CP1. An optional FC3, foot pedal or an optional FC4, or FC5 foot switch can also be connected via the [SUSTAIN] jack for use as a dedicated sustain pedal. Meanwhile, optional FC4 and FC5 foot switches can be connected via the [SOSTENUTO] and [SOFT] jacks in order to perform a range of freely assignable functions. 6 [ASSIGNABLE] foot-switch jack (see page 12) Use this jack to connect an optional FC4 or FC5 foot switch in order to perform a range of freely assignable functions. 7 [1] and [2] foot-controller jacks (see page 12) Use these two jacks to connect optional FC7 and FC9 foot controllers in order to perform a range of freely assignable functions. 8 Unbalanced [L/MONO] and [R] output jacks (see page 11) These two 1/4" mono phone jacks are used to output unbalanced stereo signals. Alternatively, if mono output is required, only the [L/MONO] jack should be connected. Each jack’s nominal signal level is +4 dBu. 9 Balanced [L] and [R] output connectors (see page 11) These XLR-type connectors are used to output balanced stereo signals to mixers and the like. This type of connector protects signals from interference and has an extremely sturdy design. It also features a locking mechanism to prevent cables from being accidentally disconnected. Accordingly, the XLR connector is often used in professional environments that demand a high level of reliability. Each connector’s nominal signal level is +4 dBu. ) [LIGHT] switch Use this switch to turn the Yamaha logo lamp on or off and to set its brightness. When positioned fully to the left, the lamp will be turned off; when moved to the right, the switch will click and the lamp will light up. As the switch is then moved further towards the right, it selects three increasing levels of brightness. 1 2 3 4 5 6 7 8 9 ) 1 Principal Components The CP1 primarily comprises a tone generator and a controller section. Tone generator Performance Controller section Keyboard Input devices (i.e., knobs, pitch bend wheel, foot pedals, etc.) MIDI output MIDI input USB, MIDI USB, MIDI Tone Generator The CP1’s tone generator produces sounds based on performance data that you create by playing the keyboard and operating various controllers. The type of piano sound produced is defined by the currently selected Performance and the Master Equalizer; meanwhile, each Performance comprises two individual piano parts together with a Reverb block. The basic flow of signals between these components is illustrated below. Performances Part 1 Piano block Piano Type unit Pre-Amplifier unit Modulation Effect block Power-Amplifier / Compressor block Reverb block Master Equalizer block Part 2 Piano block Piano Type unit Pre-Amplifier unit Modulation Effect block Power-Amplifier / Compressor block Each of the Parts in the Performance is subdivided into three distinct blocks — namely, the Piano block, the Modulation Effect block, and the Power-Amplifier / Compressor block. These blocks allow the characteristics of acoustic pianos and classic electric pi...