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Resumen del manual
The diagram below provides an overview of the overall structure of key Performance mode components. Performance Edit Mode Performance Edit mode is activated when you change a setting for any of the parameters available in the panel edit menus using the Parameter Value [UP/DOWN] buttons — which may affect all Layer voices equally (COMMON menus) or only the currently selected Layer voice (LAYER menus). Adjustments you make using the SOUND CONTROL knobs or [UP/DOWN] buttons will offset (add to or subtract from) the parameter data values which are preset for each voice. An edit mark, or reversed type letter “E”, will appear in the LCD to indicate that a parameter has been changed. When you’re satisfied with the sound of the Performance, simply store it in any of the 256 User Performance memories using the Performance Store operation (page 66), before selecting a different Performance. n For more information about Performance mode, see page 40. Getting Started II: 128 Performance I: 128 Performance P r e s e t B a n k ( 2 5 6 P e r f o r m a n c e ) II: 128 Performance I: 128 Performance U s e r B a n k ( 2 5 6 P e r f o r m a n c e ) P e r f o r m a n c e Layer 4 Layer 3 Layer 2 Layer 1 V O I C E C O M M O N E D I T R E A L T I M E E D I T w i t h S T O R E I N U S E R B A N K P E R F O R M A N C E P B E N D R A N G E T Y P E A R P E G G I A T O R T E M P O P M O D S U B D I V I D E P E R F O R M L E V E L M W F M O D C U T O F F R E V T Y P E C H O T Y P E V A R I T Y P E V A R I P A R A M P E R F O R M N A M E V A R I D A T A A S S I G N 1 P A R A M P O R T A S W I T C H T I M E E F F E C T V A R I E F F C C U T O F F F M O D C O M M O N B A N K P R O G R A M A T K T I M E A T K T I M E D C Y T I M E D C Y T I M E F E G A E G S U S L E V E L S U S L E V E L V O L U M E P A N R E L T I M E R E L T I M E A M O D P M O D I N I T L E V E L A T K T I M E R E V S E N D E F F E C T C H O S E N D V A R I S E N D A T K L E V E L F M O D L F O P E G D C Y T I M E W A V E F I L T E R C U T O F F R E Z S P E E D R E L T I M E R E L L E V E L P H A S E I N I T P O L Y M O N O A S S I G N 2 D A T A P A R A M D E P T H O F F S E T V E L L I M I T H I G H L I M I T H I G H L I M I T L O W L I M I T L O W N O T E T U N E N O T E S F T D E T U N E L A Y E R L A Y E R E D I T A T T A C K D E C A Y R E L E A S E D A T A A S S I G N 1 A S S I G N 2R E S O N A N C E C U T O F F C U T O F F L P F H P F S C E N E M W F C 2 1 Song Production In Performance Mode Although Performance mode is primarily used for real-time playing, you can also use it for multitimbral operation in order to take advantage of Arpeggiator, Scene and other Performance mode-oriented functions not available in Multi Play mode. In such a case, one of the instrument “Parts” would be comprised of the Layer voices for the selected Performance. (For more information, see page 33.) S A V E A S S C E N E 1 o r 2 T H E S O U N D C O N T R O L K N O B S A Performance is comprised of up to four “Layers”, or AWM2 voices sounding at the same time — either playing simultaneously across the length of the keyboard, or playing independently according to specified key and velocity range settings — plus a variety of other settings which determine the behavior of the Arpeggiator, digital effects selection, characteristics of envelope generators, and much more. Performance Play Mode In Performance Play mode you can select from 512 Performances — 128 of which are available in each of the two Preset Performance banks and 128 of which are available in each of the two User Performance banks — and begin playing the keyboard. As you play you can select one of two available Performance timbre variations by pressing a SCENE switch, or fade between (“morph”) the sounds of each Scene in real-time by pressing both [SCENE] buttons simultaneously (SCENE CONTROL function) then using the MODULATION wheel or a connected Foot Controller to precisely determine the relative volumes of each Scene timbre in relation to each other. 21 Getting Started Getting Started Multi Play mode — accessed by pressing the [MULTI] button — is primarily used for multitimbral song production and playback of up to 16 individual instrument “Parts” when an external MIDI sequencer is connected to the CS2x. The diagram below lists the available parameters for each Part. S T O R E 1 ~ 9 P a r t 1 ~ 1 6 BANK PROGRAM VOLUME PAN EFFECT FILTER (LPF) POLY/MONO P A R T S E L E C T Although you can adjust various parameters in the Multi Part Edit menu to customize the selected voice, note that Scene, Arpeggiator and other Performance mode-oriented functions are not available. When the edited Multi setup is just the way you want it, simply perform a Multi Store operation before switching into Performance mode (page 68). n With the GM format MIDI channel 10 is reserved for drum voices, which means you can select PART 10 to play the drums. n For more information about Multi Play mode, see page 57. For information about GM and XG, see ...