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Resumen del manual
Each mono mic/line channel has an input Gain control with 45 dB of gain, a sharp 18 dB/octave, 100 Hz Low Cut filter, a 3-band EQ with sweepable midrange, two Aux sends with pre/post switch and two EFX sends, Pan, Mute, Solo, assign switches, a 60mm fader and a Channel Insert jack for connecting an external processor. The stereo line-in channels have all the same features as the mic/line channels except no low cut filter, an input Gain control with 40 dB of gain, 4-band fixed frequency EQ, and no insert jack. There are two stereo EFX returns with EFX Return 2 being combined with the internal EFX EMAC digital effects return. The 32-bit EMAC digital effects processor has 16 individual effects, two parameter controls, and a wide spatial expander. Other features include phantom power, a stereo tape input and output with input level control, a Break switch to mute everything except the tape input, Phones out, stereo Utility Output, stereo 12-segment LED meters, BNC lamp socket, EFX footswitch jack, TRS and XLR stereo Main Output jacks, and a 75 Hz low-pass Subwoofer XLR Output jack. With professional sound quality and all the right tools for live performances—the CFX.mkII Series is the obvious choice for small bands, solo performers and anyone who needs a reliable compact mixer. APPLICATIONS Live sound mixing, houses of worship, small-to-mediumsized clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multitrack studio and field recording, and many, many more. FEATURES: ¦ 12-channel, 16-channel, and 20-channel / 4-bus compact mixer designed for live sound ¦ High-headroom mic preamps with RF rejection ¦ 32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander ¦ External and internal EFX sends ¦ EFX to Monitor control ¦ 9-band stereo graphic equalizer ¦ Inserts on all mic channels and main mix ¦ True 4-bus design with direct sub outs and L/R assign ¦ 2 Pre/Post Aux Sends and internal/external FX level sends on each channel ¦ 3-band EQ with swept mid (100 Hz to 8 kHz) on mic/ line channels ¦ 4-band EQ on stereo line channels ¦ Pan, Mute, PFL solo on each channel ¦ Inserts and 100 Hz low-cut filters on all mic/line channels ¦ Subwoofer output from built-in 18 dB/oct. 75 Hz crossover ¦ Ingenious Break switch ¦ Headphone output with level control ¦ Tape/CD inputs with level control assignable to Main Mix via Break switch ¦ Logarithmic taper 60 mm faders ¦ 48V phantom power ¦ 12V BNC lamp jack 1/6 PAGES CFX.mkIILIVE SOUND MIXERS WITH DIGITAL EFFECTS CFX.mkIILIVE SOUND MIXERS WITH DIGITAL EFFECTS Frequency Response (Mic Input to any Output, Gain @ unity) +0 dB/–1 dB 32 Hz to 20 kHz Distortion (THD and IMD) (Mic Input to Main Output @ +4 dBu) THD (20 Hz to 20 kHz bandwidth) SMPTE IMD (7 kHz/60 Hz, 4:1) <0.05% <0.05% Noise Equivalent Input Noise (EIN) (150 ohm termination, 20 Hz to 20 kHz bandwidth) –127 dBu Residual Output Noise Main, Monitor, and Effects Outputs (Channel and Main Mix levels off) –95 dBu Common Mode Rejection Ratio (CMRR) Mic Input, unity gain @ 1 kHz better than –60 dB Attenuation/Crosstalk Adjacent Inputs or Input to Output @ 1 kHz –90 dB Fader off @ 1 kHz –90 dB Mute Switch and Break Switch Mute –80 dB Input Gain Control Range Mono Channels Mic Input +5 dB to +50 dB Line Input –15 dB to +30 dB Stereo Channels Line Input –20 dB to +20 dB Phantom Power +48 VDC Equalization Mono Channel EQ High Shelving ±15 dB @ 12 kHz Mid Peaking ±15 dB sweep 100 Hz-8 kHz Low Shelving ±15 dB @ 80 Hz Low Cut Filter 18 dB/octave, –3 dB @ 100 Hz Stereo Channel EQ High Shelving ±15 dB @ 12 kHz High Mid Peaking ±15 dB @ 3 kHz Low Mid Peaking ±15 dB @ 400 Hz Low Shelving ±15 dB @ 80 Hz Low Cut Filter 18 dB/octave, –3 dB @ 100 Hz Graphic EQ (9 bands) Q = 1.414, ISO octave centers ±15 dB @ 63, 125, 250, 500, 1k, 2k, 4k, 8k, 16k Hz Mixer Rated Output Main, Sub, Aux, and EFX Outs +4 dBu Maximum Rated Output @ Main XLR and TRS Outputs +20 dBu Maximum Input Levels Mic Input (Gain @ +50 dB) –28 dBu Mic Input (Gain @ +6 dB) +18 dBu Line Input (Gain @ +30 dB) –8 dBu Line Input (Gain @ –15 dB) +38 dBu Insert Input, Stereo Line Input, Tape Input, and Effects Return +20 dBu Maximum Voltage Gain Mic Input to Insert Out 50 dB Tape Out 66 dB Sub Out 66 dB Main Out 76 dB Aux Send 71 dB Line Input to Insert Out 30 dB Tape Out 46 dB Sub Out 46 dB Main Out 56 dB Aux Send 51 dB Stereo Line Input to Tape Out 40 dB Sub Out 40 dB Main Out 50 dB Aux Send 45 dB Tape Input to Main Out 30 dB Effects Return to Main Out 30 dB Input Impedance Mic Input 3 kohms, balanced Line Input 40 kohms, balanced Insert Input, Stereo Line Input, Tape Input, and Effects Returns 10 kohms, unbalanced Output Impedance Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends 150 ohms Digital Effects Resolution 32-bit (16-bit, 2-channel) Number of Presets Channel Level LED (Sensitivity) 0 LED = 0 dBu (normal operating level) 2/6 PAGES CFX.mkIILIVE SOUND MIXERS WITH DIGITAL EFFECTS...