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Otros manuales para este modelo:
Instrumentos Musicales - MOTIF-RACK XS (3.95 mb)
Instrumentos Musicales - MOTIF-RACK XS (271.65 kb)
Resumen del manual
EFX (Musical Effect) Move Ambie Sweep Hit Arp Ethnc (Ethnic) Bowed Pluk (Plucked) Struk (Struck) Blown Arp Micro Tuning In the sections that follow, we'll explain in detail about the “Micro Tune” parameter in the Play Mode display (page 66) of the Voice Common Edit parameters. What is Micro Tuning? This function lets you change the keyboard scale from normal tuning (equal temperament) to one of a variety of special scales. You can determine the scale type for each voice by simply selecting a Tuning number. You can also use original Micro Tuning types that you’ve created in the Micro Tune display (page 102) of the Utility parameters. Micro Tuning List Micro Tuning No. Type Micro Tuning Root Comments 1 Equal — The “compromise” tuning used for most of the last 200 years of Western music, and found on most electronic keyboards. Each half step is exactly 1/12 of an octave, and music can be played in any key with equal ease. However, none of the intervals are perfectly in tune. 2 PureMajor C – B This tuning is designed so that most of the intervals (especially the major third and perfect fifth) in the major scale are pure. This means that other intervals will be correspondingly out of tune. You need to specify the key (C – B) you will be playing in. 3 PureMinor C – B The same as Pure Major, but designed for the minor scale. 4 Werckmeist C – B Andreas Werckmeister, a contemporary of Bach, designed this tuning so that keyboard instruments could be played in any key. Each key has a unique character. 5 Kirnberger C – B Johann Philipp Kirnberger, an 18th century composer, created this tempered scale to allow performances in any key. 6 Vallot&Yng C – B Francescatonio Vallotti and Thomas Young (both mid-1700s) devised this adjustment to the Pythagorean tuning, in which the first six fifths are lowered by the same amount. 7 1/4 Shift — This is the normal equal tempered scale shifted up 50 cents. 8 1/4 tone — Twenty-four equally spaced notes per octave. (Play twenty-four notes to move one octave.) 9 1/8 tone — Forty-eight equally spaced notes per octave. (Play forty-eight notes to move one octave.) 10 Indian — Usually observed in Indian music (white keys only). 11 Arabic 1 C – B Usually observed in Arabic music. 12 Arabic 2 13 Arabic 3 87 Basic StructureVoiceMultiUtility Reference The Controls & ConnectorsSetting tothe SoundConnectionsUsing a GuideAppendix MOTIF-RACK XS Owner’s Manual 88 Basic Structure Reference Voice Multi Utility The Controls & Connectors Setting Up Listening tothe Sound Connections Using a Computer Quick Guide Appendix 88 Basic Structure Reference Voice Multi Utility The Controls & Connectors Setting Up Listening tothe Sound Connections Using a Computer Quick Guide Appendix Setting examples of the Destination In this section, we’ll show you some useful examples how to set the “Ctrl Set 1 – 6 Dest (Controller Set Destination)” assignments of the Control display in the Voice Common Edit parameters (page 71). To control the volume: Volume (volume) To apply vibrato to the Voice: Common LFO Depth1 – 3 (C-LFO dpth1 – 3) *1 To change the pitch: Element Pitch (coarse tune) *2 To control the brightness of the Voice: Element Filter Frequency (cutoff) *2 To change the speed of the Rotary Speaker: Insertion A/B Parameter 1 (ins A/B Rotor Slow) *3 To apply wah pedal effect to the Voice: Insertion A/B Parameter 1 (ins A/B Pedal Ctrl) *4 Concerning *1 – *4, the following settings are necessary in addition to the above setting. *1 • Select the “LFO” in the Voice Edit Select display . [ENTER] . “Play Mode” = “loop” • Select the “LFO” in the Voice Edit Select display . [ENTER] . “LFO Set 1 – 3 Dest” = “P mod” *2 Controller Set in the Voice Common Edit on the MOTIF-RACK XS Editor . “SW (Element Switch)” = “on” *3 • Select the “Effect” in the Voice Common Select display . [ENTER] . select the “Ins A/B” . [ENTER] . “Type” = “Rotary Speaker” • Effect in the Voice Common Edit on the MOTIF-RACK XS Editor . “Element Out” / “Key Out” = ins A/B (assigned to “Rotary Speaker” type) *4 • Select the “Effect” in the Voice Common Select display . [ENTER] . select the “Ins A/B” . [ENTER] . “Type” = “VCM Pedal Wah” • Effect in the Voice Common Edit on the MOTIF-RACK XS Editor . “Element Out” / “Key Out” = ins A/B (assigned to “VCM Pedal Wah”) Filter Type List In the sections that follow, we'll explain the Filter Type specified in the Filter Type display of the Voice Element Edit. LPF (Low Pass Filter) This is a Filter type that only passes signals below the Cutoff Frequency. The sound can be brightened by raising the cutoff frequency of the filter. On the other hand, the sound can be darkened by lowering the cutoff frequency of the filter. You can then use Resonance to add further character to the sound. This filter type is most popular and useful for producing classic synthesizer sounds. LPF24D Compared to the LPF24A type (below), this filter can produce a more pronounced resonance effect. Level These frequencies are “passed” by the f...