Votos - 0, Puntuación media: 0
(
)
)
|
Resumen del manual
When Bank Select MSB is 97, the voices above are not included. VL Voice List VL Voice List No. Voice Name Note Range Recommended Comment 001 Mad Tube C1 - B4 An extremely aggressive sound that lies between synth lead and distortion guitar. 002 VintgLd B-1 - C6 Multi-oscillator type synth lead. 003 SpaceZoo *** Try moving PB, MW, and AT in various ways. 004 GuitHero G0 - C5 A distortion guitar. Controlling the feedback with AT is particularly effective. StoneHng F0 - G6 MW produces a sustained sound. 006 007 Whizzer SimpleBa G#0 - F#5 C0 - C6 Long sustaining synth tone similar to bass guitar harmonics. Straight ahead synth bass with some distortion. 008 ClavBass C0 - E3 Bass sound with both electric/acoustic and synthesizer qualities. If you use FC (CC#4) you can get “clavinet” style overtones. 009 SuperBas C0 - F#3 DX7 style slapped bass. New Slap C0 - D5 New type slap bass with punchy power. 011 RockPigs C0 - E4 Organ-type synth lead sound. AT produces a neighing effect. 012 Igneous C0 - C5 Feedbacked synth lead sound. 013 50 / 50 C0 - F5 Simple Square wave synth lead. 014 Cybastrg C-1 - C6 Metallic driller killer sound. Wynth A-1 - G5 Filter wind synth with control from BC and velocity. 016 BuzzSaw E-1 - C6 Play with lots of MW filter control. 017 ZubZub B-1 - C6 Biting analog synth sound. MW controls filter. 018 Blue G0 - D3 Fizzy synthesiser sound. 019 OsciLead C0 - G5 Octave synth lead sound. SqrLead D#0 - C6 Nice Square lead tone. Lowering FC (CC#4) closes filter. 021 Bigger C-1 - C6 Big analog synth sound - velocity controls filter and volume. 022 AnaSquid G-1 - C6 Analog synth type sound with MW filter control. 023 SharpSyn G0 - C6 Slightly mode unstable velocity sensitive sound. 024 AnaWave C0 - E4 Analog synth type sound with MW filter control. AnaWurl C0 - C6 Velocity sensitive sound somewhat like a Vintage EP passed through a resonant filter. 026 Babalog C0 - C6 Velocity controlled synth wind sound. 027 FngerBass B-1 - C4 Vigorous finger bass sound. 028 Upright B-1 - C4 Simulation of accoustic bass. 029 Fnground A-1 - C4 Finger bass with particular sound of rear pick up. Birdland A-1 - C4 Midway between an analog synth and an electric bass sound. The high range produces harmonics. 031 FlageoBs G0 - C4 Harmonics of a fingerd electric bass. 032 DampBass G-1 - C3 Damped Pluck-Bass with a dry speaker sound. 033 Fretles! E-1 - C4 Fretless bass usable for either rhythm or melody. 034 Frtles!2 B-1 - C#4 Another fretless bass, good for melody play. ThumBass C0 - C3 Thumped Bass. 036 RockBass G-1 - C4 Heavy overdrive rock bass sound. 037 SmooBass B-1 - A#3 Expressive synth bass sound with filter control by velocity and “vintage analog” character. 038 WarmBass B-1 - C4 Warm electric Precision bass sound. Use FC (CC#4) to make sound brighter or darker. 039 YamaBass Box Bass A-1 - C4 C0 - C4 Yamaha 5-string electric bass with brand new strings and “studio EQ”. Similar to FM synth bass with filter control on MW. Uses resonator for “boxy” effect. 041 BassCab B-1 - G#4 Slightly distorted electric bass with Resonator simulation of speaker cabinet tone. 042 FruitBas C0 - C4 Fruity electric bass sound. 043 AcidBas! B-1 - C5 Bass sound for acid jazz. 044 SqrBass! B-1 - G4 Square wave synth bass. PulsClav A-1 - G5 Synth-Clavinet for funky licks. 046 MogueBas B-1 - C#7 A classic synth bass sound. 047 BoppaBas B-1 - C4 Synth bass with sub-octave undertone. 048 BuzzrBas D0 - E4 FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines. 049 MuteHrBs C0 - C5 Upper register bass harmonic sound, with accentuated fingering “pop” similar to playing muted guitar style with the palm of the picking hand on the bridge. TekBass B-1 - C4 Synth bass with sub-octave undertone. 051 TranzBas C0 - F#4 TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines. 052 Chamlion C0 - B4 Dry Synthbass. 053 ParaSyn A-1 - C4 Strong, up-front synth bass, ideal for 70’s Jazz-Funk. If you like that sort of thing. 054 SteamBas C0 - C#7 Use lots of PB (Embouchure) for finger slides. Gives greater tonal variety. BooBass B-1 - C5 MW controls filter and gives sharper attack. 102 Recommended Recommended Note Range 056 057 058 059 060 061 062 WhelkBas AtackSyn Q.Klav Sitar! India YamSteel StungSt E-1 - C#5 G0 - B4 A-1 - C#4 G0 - E4 F#0 - C6 A2 - C6 F#0 - B5 Synth bass. MW controls filter as does velocity. Synth bass sound with strong attack. Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in modifier section. Altering the Aural Exciter® parameters will also have a big effect. Simulation of Sitar. Sitar-type ethnic sound. Steel drum-type ethnic sound. FM style, metallic overtone synth. Can use as lead or bass . 063 Mu *** MW brings in noise. CC#13 can be used to modify the character of the noise. 064 Waterphn *** Mysterious percussion instrument. Attack is softened with MW. Squeakiness (embouc...