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Resumen del manual
Chords Recognized in Chordal Type Detune This produces a slightly “detuned” pitch and mixes it with the input signal for a rich chorusing effect. The amount of the detuning is set in the Mode parameter. MIDI note data from a keyboard or sequencer has no effect in this type. NOTE When Detune is selected, the Harmony Gender Type and Lead Pitch Correction parameters are not available. Chromatic (CHROMAT.HM) This produces a harmony at a fixed pitch interval from the original sound (such as an octave, or a third). The amount of the pitch shift is set in the Mode parameter. MIDI note data from a keyboard or sequencer has no effect in this type. Mode Settings: (Available settings differ depending on selected Type; see below.) For Vocoder Type: no trans No transposition. The harmony notes correspond exactly to the pitch of the incoming MIDI notes. auto trans Automatic transposition of the harmony notes. This keeps the harmony notes close (±600 cents) to the input signal, no matter which octave the MIDI notes are played. For example, if your vocal is at a pitch of C3, playing an E note anywhere on the connected MIDI keyboard results in a harmony note of E3. -3oct trns — +3oct trns This fixes the octave transposition of the harmony notes, selectable from 3 octaves below (-) to 3 octaves above (+). For Chordal Type: duet above (Duet Above) Produces one harmony note, in a pitch above the lead note. duet below (Duet Below) Produces one harmony note, in a pitch below the lead note. duet abv+b (Duet Above + Bass) Produces two harmony notes — one in a pitch above the lead note, and one an octave below the chord root harmony. (The “+b” in the type name stands for “added bass note.”) trio above (Trio Above) Produces two harmony notes, in pitches above the lead note. trio a&b (Trio Above & Below) Produces two harmony notes — one in a pitch above the lead note, and one below. 148 Effect Edit Mode trio below (Trio Below) Produces two harmony notes, in pitches below the lead note. trio a&b+b (Trio Above & Below+Bass) Produces three harmony notes — one in a pitch above the lead note, and two below — one of them an octave below the chord root harmony. (The “+b” in the type name stands for “added bass note.”) quar above (Quartet Above) Produces three harmony notes, in pitches above the lead note. quar a&b (Quartet Above & Below) Produces three harmony notes — two in pitches above the lead note, and one below. quar below (Quartet Below) Produces three harmony notes, in pitches below the lead note. For Detune Type: low Detunes the pitch by ±7 cents (least amount of detuning). mid-low Detunes the pitch by ±11 cents. mid-high Detunes the pitch by ±15 cents. high Detunes the pitch by ±20 cents (most amount of detuning). For Chromatic Type: oct below Produces a harmony note an octave below the input note. 3rd below Produces a major third harmony note in the octave below the input note. (Harmony is transposed eight semitones down.) 5th below Produces a perfect fifth harmony note in the octave below the input note. (Harmony is transposed five semitones down.) unison Produces a “harmony” note at the same pitch as the input note. (This can be clearly distinguished from the original signal by changing the Harmony Gender; see below.) 3rd above Produces a major third harmony note in the same octave as the input note. (Harmony is transposed four semitones up.) 5th above Produces a perfect fifth harmony note in the same octave as the input note. (Harmony is transposed seven semitones up.) oct above Produces a harmony note an octave above the input note. Harmony Gender Type (H.GendrTyp) Settings: off, Auto This determines the gender of the harmony notes. When set to “off,” the gender of the harmony notes does not change (relative to the actual gender of the singer). When set to “Auto,” keep in mind that the gender change effect may vary according to the quality, character and pitch of the actual voice. Effect Edit Mode 149 NOTE The Harmony Gender Type parameter is not available when Harmony Type is set to Detune (page 147). Lead Gender Type (L.GendrTyp) Settings: off, unis (unison), male, fem. (female) These settings determine whether the gender of the “lead” voice can be changed or not. It also lets you set the gender. When this is set to “off,” the gender of the lead voice cannot be changed. When this is set to “unis” (unison), the lead voice is reproduced at the same pitch as the voice; however, the gender can be changed by using the Lead Gender Depth parameter below. The “male” and “fem.” (female) settings reproduce the voice with the respective male or female vocal qualities. (To finely adjust the quality of the lead voice, use the Lead Gender Depth parameter below.) NOTE When this is set to “unis”, “male” or “fem.”, up to two-part harmonies are provided. Using the Lead Voice To properly use the lead voice, make sure to set the following parameters: Lead Gender Type — “unis,” “male,” or “fem.” Lead Gender Depth — Set to desired/appropriate va...