For the best possible sound and lowest noise increase the input level control until the input LED lights occasionally. CH2 (4): Controls the input level (volume) of the microphone connected to Input CH 2 (13). Zero is the lowest (quietest) setting, 10 is the highest (loudest).For the best possible sound and lowest noise increase the input level control until the input LED lights occasionally. OUTPUT LEVEL LED INDICATORS (5) For the best sound increase the INPUT LEVEL of CH1 (3) and/or CH2 (4) so

Los platillos Surge son compatibles con una variedad de modulos de bateria y se pueden usar tambien para disparar sonidos en cualquier instrumento MIDI usando una interfaz de “ disparador a MIDI”. 1. Inserte dos extremos en “angulo recto” de los cables estereo de .” (incluidos) en las dos conexiones del alojamiento del disparador de la parte inferior del platillo. 2. Coloque el platillo en un soporte. No use un manguito con este platillo porque ya tiene uno incorporado. Asegurese de que la tira

The Alesis SR-18 Drum Machine sound range covers almost any kind of music and has some interesting drums, hits, electronic drums, percussion and bass sounds. The Alesis SR-18 Drum Machine features 24-voice polyphony, 32MB percussion and bass sounds, built-in effects (reverb, EQ and compression), 12 drum pads, transport controls, value/tempo jog wheel, pattern-trigger pad, drum roll and mute/solo functions, 100 factory and 100 user presets, backlit LCD, 1/4" input, 1/4" aux and headphones output

5. Si conecto un dispositivo a la entrada de linea (LINE) del modulo, enciendalo. 6. No golpee ningun pad ni presione el pedal de control de hi-hat. Encienda el modulo. 7. Si usa altavoces externos, enciendalos. 8. Golpee los pads y ajuste los niveles de volumen de sus dispositivos segun sea necesario. Si utiliza auriculares, ajuste el volumen del modulo con la perilla de VOLUMEN del panel trasero. Si usa altavoces externos, ajuste el volumen del modulo presionando el cuadrante de DATOS, girando

4 FACTORY PROGRAMS.........................................................................................4 SELECTING PROGRAMS......................................................................................4 EDITING PROGRAMS............................................................................................4 COMPARING AN EDITED TO A STORED PROGRAM..........................................5 SAVING (STORING) EDITED PROGRAMS ...........................................................

How To Use This Manual This manual is divided into the following sections describing the various modes of the MicroVerb 4. Though we recommend you take time to read through the entire manual once carefully, those having general knowledge about effects devices should use the table of contents to reference specific functions. Chapter 1: Your First Session with the MicroVerb 4. A basic introduction to getting the unit up and running, auditioning the factory Programs, adjusting levels, comparing and

First, attach an inexpensive contact transducer to the center of the drum stand and plug it into a DM5 input. . Next, go to Ext Trig page 1 and select the Velocity Curve setting of 0 (Unassigned) for this trigger. . Go to the next page and set the Xtalk, Decay and the Noise levels all to 00. This low level will allow the maximum amount of Noise and stand vibrations to be detected by the DM5. . Using the TRIG LEVEL meter (at the bottom of the display), adjust the level to select a “hotter” than u

QS7/QS8 Reference Manual Editing Programs: Chapter 6 PITCH ENVELOPE The Pitch Envelope function (press [90]) can lead to dramatic effects, since it can cause the pitch of a single key to change drastically over time. It’s typically used in special-effect synthesizer programs, but it may also be used more subtly in an acoustic program to simulate the characteristic of some instruments to go sharp on the initial attack, especially when played hard. The following Pitch Envelope variables will have

Use 1-PITCH mode when you want a program sound layer to play a single pitch polyphonically throughout the entire keyboard range. In 1-PITCH mode, the QS will play the sample used for note C3 for all notes in the range. 1-PITCH mode is often used for layering a noise or drum sound behind another sound that is pitched, for example, to fatten up a bass guitar sound with a hint of kick drum, or to have the same cymbal hit every time any note is played. Alternatively, 1-PMONO mode is a monophonic ver

TRIG MENU .........................................................................................................................................24 TRIGGER INPUT PARAMETERS...........................................................................................................24 TRIGGERING PARAMETERS................................................................................................................25 VELOCITY CURVE..................................................................