. Puede desactivar los efectos completamente para usar el instrumento como una guitarra electrica tradicional. Por favor lea y guarde este Manual y registre su X Guitar La X Guitar tiene varias caracteristicas. Por favor lea estas instrucciones y guardelas para consultar en el futuro. Si pierde este manual, puede bajarlo de Hablando de Internet, por favor visite para registrar su nueva X Guitar de Alesis. Registrarse le ayuda asegurar que le notifiquemos de cualquier tema de ultima hora relativo

Asegurese de que todos los articulos incluidos al inicio de este manual estan incluidos en la caja del Wildfire. 2. Lea las instrucciones importantes de seguridad incluidas en el Wildfire. 3. Estudie el Diagrama de conexion que aparece mas abajo. 4. Asegurese de que todos los equipos estan apagados y de que todos los controles de ganancia estan en posicion “cero”. 5. Conecte su guitarra y el resto del equipo al Wildfire de la manera siguiente. Consulte la seccion de Caracteristicas para detalles

7. FX1 – varios efectos mono; la mayoria consta de un ajuste separado para el control del pedal. 8. PARAM (Parametro) – parametro de control directo para FX1; la mayoria de los efectos pueden ser ajustados para el control de pedales independientemente del ajuste FX1. 9. FX2 – versiones en estereo de los efectos de FX1, con varias caracteristicas nuevas; estas tambien tienen ajustes para el control de los pedales. 10. PARAM (Parametro) – parametro de control directo para FX2; la mayoria de los ef

The Alesis SR-18 Drum Machine sound range covers almost any kind of music and has some interesting drums, hits, electronic drums, percussion and bass sounds. The Alesis SR-18 Drum Machine features 24-voice polyphony, 32MB percussion and bass sounds, built-in effects (reverb, EQ and compression), 12 drum pads, transport controls, value/tempo jog wheel, pattern-trigger pad, drum roll and mute/solo functions, 100 factory and 100 user presets, backlit LCD, 1/4" input, 1/4" aux and headphones output

Although the QS’s keyboard does not generate poly pressure, its sound generators can respond to MIDI poly pressure messages. • MOD WHL (Modulation Wheel) is traditionally assigned to LFO level so that rotating the wheel away from you introduces vibrato. However it is also well-suited for controlling timbre, vibrato speed, and other parameters. • PITCH WH (Pitch Wheel) usually controls the oscillator pitch but can control other parameters. • MIDI VOL corresponds to MIDI controller #7. Example: As

Here are the parameters you will find on these pages: REVERB TYPE Range of Settings: (see below) Page 5 The QS has seven different reverb types, all stereo, each of which simulates a different space or produces a different ambient effect. The different Reverb types are: Plate 1 & 2. The two Plate reverb types simulate an artificial device known as a Plate. In the early days of recording, Plates were extremely popular because they were almost the only way to provide any sort of artificial ambianc

Use 1-PITCH mode when you want a program sound layer to play a single pitch polyphonically throughout the entire keyboard range. In 1-PITCH mode, the QS will play the sample used for note C3 for all notes in the range. 1-PITCH mode is often used for layering a noise or drum sound behind another sound that is pitched, for example, to fatten up a bass guitar sound with a hint of kick drum, or to have the same cymbal hit every time any note is played. Alternatively, 1-PMONO mode is a monophonic ver

The more you know about it the more you’ll be able to do, so we recommend that you make good use of this manual. But most importantly, don’t forget to have fun! (There’s a good reason they call what musicians do playing.) HOW TO USE THIS MANUAL No manual can cover the needs of all musicians. There are simply too many of you, and your needs are too different. But we’ve tried to make this a document that will teach you what you need to know while encouraging you to explore new and interesting terr

QS7/QS8 Reference Manual Editing Programs: Chapter 6 PITCH ENVELOPE The Pitch Envelope function (press [90]) can lead to dramatic effects, since it can cause the pitch of a single key to change drastically over time. It’s typically used in special-effect synthesizer programs, but it may also be used more subtly in an acoustic program to simulate the characteristic of some instruments to go sharp on the initial attack, especially when played hard. The following Pitch Envelope variables will have

Reference Manual This page intentionally left blank 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% Table Of Contents Introduction ........................................................5 Important Safety Instructions ........................7 Chapter 1: Connections.....................................11 Chapter 2: First Session....................................13 Playing the Demos .................................................................................13 Playing Programs...................