. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Scope of Delivery, Unpacking and Inspection . . . 5 Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Installation and Connections . . . . . . . . . . . . . . . . 5 CONTROLS, INDICATORS AND CONNECTIONS . . . . . . . . . . . 8 Input Mono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Input Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 FX1/2 . . . . . . . . . . . . . . . .

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacture’s instructions. 8. Do not i

38. AUX3/4 POST As already previously described, this switch allows determining whether Pre- or Post-Fader signals are present at the AUX3/4 channel. The corresponding yellow LED signals when the switch is engaged and all input channel AUX3/4 controls are assigned post fader. 39. FEEDBACK FILTER The feedback filter is a very narrow banded notch filter, which is only active in a range that is extremely susceptible for acoustical feedback. The FEEDBACK filter rotary control sets the corresponding

A huge number of additional filters offers extremely flexible correction of the frequency response. Each input incorporates a 5-band equalizer, allowing to assign high and low-pass, high and low-shelving or parametric peak-dip filters to its individual filter sections. Next to the frequency crossover filters, four additional filters are employed in each output channel, which also can be set to work as high or low-pass, high or low-shelving filters, parametric peak-dip filters, or all-pass filter

The two 18-Bit digital processors offer a total of 198 high-quality effect combinations in well-known Dynacord-quality, but employing new 32-Bit algorithms. Pre Outs • Master A and B, Mono, subwoofer out with low-pass-filter, record send control • perfect headphones control via PFL/PGM/Mix (with specific 20 mm transition-fader Power Amplifier • 2 x 300 watts/4 Q • LpN-processor • Up to three 8 Q loudspeakers on a single channel • 7-Band graphic Master-EQ • Power Amp In Case • Lightweight (on

27 - SIG/PK The stereo SIG/PK indicator function provides independent analysis of left and right channel audio signals. The respective highest level reading is indicated, assuring that neither one is already driven into clipping. For further information on how to use this indicator most efficiently, please refer to the description of the monaural channel’s identical feature. 28 - FADER The channel fader is used to simultaneously adjust both levels (volumes) of the stereo signal. Functioning and

It’s the Formula One of power mixers, so it’s hardly surprising that the PowerMate has won numerous awards and come out on top in countless comparative tests. But aside from its quality, it’s the fact that it matches perfectly the needs of its users that makes the PowerMate the outstanding solution for a wide range of professional sound reinforcement applications. Now, after many extraordinarily successful years, the PowerMate has undergone a metamorphosis from which it emerges, more powerful, m

-I .©■©©•©■©>©•© .«“* © •© Q © -Q ® -®_®- :: g r. 1 I m «• 0 — 0 ■**m ^-O Ö > Ô § MUTM R lOfTO fBSVNAOOWEr PftXIlfO W« BNM IM« Ml tm m tm- m •■ramaaaai I Ö §■ H äH 0 0 £ S ÏÉ Ö 0 0 o- UCM • • zu; CD ■TIM 0 e Bt:*r 9 • • 3E w ï Q PSX 1250 12/16 CHANNEL POWER MIXER IMPORTANT NOTES TABLE OF CONTENTS PSX1250-GENERAL OVERVIEW............................................ 3 INPUT/MONO............................................................................. A INPUT/STEREO..

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Input/Mono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Input/Stereo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Effekt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

0 dBV = 1 V rms. Peak Indicator Threshold: Line Input to Aux Send: 2. Power ratings are for each channel, -10 dBV (0.310 volts) at minimum gain 46 dB both operating, unless noted. Line Inputs, Mic Input to Line Output: 3. 120-volt ac line voltage. Number: 54 dB Power Output, Left and Right Master Six mono; two stereo Line Input to Line Output: Amplifiers, Type/Connector: 36 dB 4 Ohms: High impedance, unbalanced, Mic Input to Tape Record Output: 250 watts '/»-inch phone jacks 54 dB 8 Ohms