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With the LOW set to (6) boost, and the Low Cut switch activated, you get peak response rather than shelving (7) at the bottom end. This is useful for adding warmth to vocals (8) and instruments, and good for tight but deep bass (without losing control of your subwoofer (9) speaker cones). Another very important, yet often overlooked technique is to use the EQ to subtract from the mix. Cutting the HIGH control can reduce unwanted hiss during multitrack recording, while attenuating the MID or LOW