The design goals called for the highest acoustic output capability with the highest fidelity in lightweight, compact enclosures that were easy to array. The development began with a clean sheet of paper and took an integrated approach. The individual loudspeaker drivers, horns, enclosures, rigging hardware and system configurations were designed from the ground up specifically for this high-performance application. The Xi-2181 is a manifolded, vented-box bass system utilizing two 457-mm (18-in.)

When mixed after the volume control, all other signals may be completely muted, or simply "ducked", during the page. This feature was designed with emergency paging applications in mind The seventh input is designed for paging applications. ROOM COMBINING FEATURES One of the applications the 2504 and 2505 are specifically designed to fulfill is the combining of sound systems in mu tiple meeting rooms. For example: a hotel has a complex of eight meeting rooms of various sizes. At times all meet

The unique combination of features of the 2504 and 2505 provide many benefits for the consultant, contractor and end user, These features make the 2504 and 2505 mixers ¡deal for use in meeting rooms churches, and teleconferencing The standard features provide the consultant with powerful tools that allow increased flexibility of design necessary to meet the needs of the end user. These features also allow for ease of installation by the contractor without the need for custom work. GENERAL FEATU

EleclroT/foice a AAARK IV company s \\ irn 25081250 Eight-Input Automatic Mixers 10 SPECIFICATIONS Frequency Response: 20-20,000 Hz, ±.1 dB Equivalent Input Noise: -126 dBm per channel, A weighted Distortion (THD): .1% Maximum Gain: 78 dB Microphone Input Equalization, Channel 1 and 2, Treble. Level: ± 12 dB at 10,000 Hz Hinge Frequency: 1,000 Hz Bass, Level: ±12 dB at 30 Hz Hinge Frequency: 1,000 Hz Input Configuration: 8 mic/line (2 with bass and treble control) 1 auxiliary 1

50-20.000 Hz EQUIVALENT INPUT NOISE (150-ohm source)2 -128 dBu typical OUTPUT NOISE AT TRANSFORMER ISOLATED OUTPUTS, ALL FADERS DOWN EXCEPT AS INDICATED — Master at Nominal ("0”)J -80 dBu typical One Input and Master at Nominal (67-dB gain)1 -61 dBu typical MAXIMUM VOLTAGE GAIN -Mic Input to Transformer Isolated Outputs 90 dB typical FADER RESERVE GAIN 12 dB ADJACENT CHANNEL CROSSTALK AT 1,000 Hz -65 dB POWER REQUIREMENTS 95-130 volts. 50 Hz.4 25 watts maximum COLORS, MATERIALS, AND FINISHES —

600-0hm Load, 20-20,000 Hz at +4 dBu Output:1 Lass than 0.1% 50-20,000 Hz at +24 dBu Output: Less than 0.1% Equivalent Input Noise (150-ohm source):2 -129 dBu typical Output Noise at Transformer Isolated Left and Right Outputs, All Faders Down Except as Indicated. Stereo Masters at Nominal ("О"):3 -76 dBu maximum Stereo Masters and Subgroups at Nominal: - 76 dBu Maximum One Input. Stereo Masters and Subgroups at Nominal (64-dB gain):3 -65 dBu typical Output Noise at Transformer Isolated Mo

The unique combination of features of the 2508 and 2509 provide many benefits for the consultant, contractor and end user. These features make the 2508 and 2509 mixers ideal for use in meeting rooms, churches, and teleconferencing. The standard features provide the consultant with powerful tools that allow increased flexibility of design necessary to meet the needs of the end user. These features also allow for ease of installation by the contractor without the need for custom work. GENERAL FEA

This system is ideal for the bass guitarist who needs to hear all of the tones and nuances that his four-string bass is capable of producing, at high stage levels. The B-410 is suitable for full-range reproduction of conventional 4-string basses and basses with a “dropped-D" tuning (or low-D extension). This system is capable of thunderous output levels. The B-410 is perfect for the modern bassist who may be incorporating "pop” and “slap" techniques into his/her playing. The extended high-freq

The five mixing buses and channel patch points enable the use of multiple effects and processors. The pre-fade listen or solo system is invaluable for fine-tuning the mix. Vocalist will find the reverb to monitor send useful in providing a "wet mix" for stage monitors. With the addition of on-board phantom power, any dynamic or condenser microphone can be used without separate power supplies. The 3K Series is a welcome addition to the growing family of Electro-Voice electronic products. The eng

The Electro-Voice BK-1632 was designed to deliver exceptional performance at an affordable price. The BK-1632 provides the flexibility and sonic quality required by today's working musician. The five mixing busses and channel patch points enable the use of multiple effects and processors. The prefade listen or solo system is invaluable for fine-tuning the mix. Vocalist will find the reverb to monitor send useful in providing a "wet mix” for stage monitors. With the addition of on-board phantom