This authentic reiteration of an SL/A head made pre-July of 1969 is part of an ongoing series, which will feature handwired re-issues of revered historical Marshall products. The reason I have decided to do this is simple - public demand! One of the things I love doing most is meeting and talking to Marshall users at the many trade shows, music fairs and shop appearances I do all over the world every year. A subject that almost always seems to come up in conversation at such events is hand-wirin

I first met Randy when he came to the factory in January 1980. He had not long ago joinedOzzy Osbourne and they were working on their first album. He came here knowing exactlywhat he was looking for, he just needed to find the amplifier that was going to be capable ofdelivering the power, the tone, and the reliability that he wanted, but was also in keeping withthe image that he was to be recognised by. Randy almost found everything he was searching for in a standard 1959 head, but the tonewas n

roll institution Lemmy Kilmister. As my way of saying thankyou for years of un-wavering support it.s my pleasure to put his namenext to mine on his very own Signature Series amplifier. This 100W all-valve amplifier has been based on Lemmy.s mostfavoured head out of his extensive 1992 Super Bass collection, an amphe affectionately named Murder One. Made in 1976 it was this amplifierthat had been at the core of Lemmy.s sound both in the studio and outon the road for over 30 years, until that is we

bass, mid and treble, master volume and presence ADDITIONAL FEATURES: Series effects loop with level and bypass switch OPTIONS: None RANGE OPTIONS: 1959 SLP head (£999), 1987X head (£804), 1962 'Bluesbreaker' combo (£1.038), JTM45 head (£784), 2203ZW Zakk Wylde signature model (£1,023) Marshall Amplification Marshall 2203 JCM800 reissue head For those about to rock, we salute the return of Marshall’s master volume monster amp It’s an ill wind that blows nobody any good, as the saying goes.

I have always believed that the most important aspect of a musician's choice of amplification is the fundamental tone it produces. Truly experienced electric guitar players, and I have known a few, will look for an amplifier that will enable them to express themselves with comfortable ease. Music is a language like any other and serves to communicate the artists feel and emotion to their audience. A guitarist is capable of translating a universe of subtle nuances, dynamics, aggression, restraint

ENGLISH 1 ENGLISHENGLISH Front Panel Features (panel shown is 2466 - 2266C Combo panel is reversed) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1. Power Switch This is the On/Off switch for the mains electric power to the amplifier. Note: Please ensure the amplifier is switched off and unplugged from the mains electricity supply whenever it is moved! 2. Standby Switch The Standby Switch is used in conjunction with the Power Switch (1) to ‘warm up’ the amplifier before u

Please take the time to fully investigate their impact on the sound as well. This amp is optimised for this interaction between playing dynamics and guitar volume/tone settings. Try setting the amp so that high gain, medium gain and clean can all be accessed from the guitar volume alone. 15. Input Jack Socket This high impedance input is where you plug your guitar into the amp. You must use a screened (shielded) guitar cable. Never use an unscreened (unshielded) speaker cable because you will fi

The Marshall reputation for producing classic tones that have led the field in electric guitar amplification for over three decades, has been achieved by a combination of many factors. Most notably as a result of our constant investment into research and development, plus our ability to listen to musicians and produce the sounds they desire. The latest result of our listening is the Acoustic Soloist. Retaining all the hallmarks of unrivalled Marshall quality, the AS80R Acoustic Soloist has been

In the case of the Acoustic Soloist, much time and research has gone into making the sound as natural as possible. As all of my designers are also guitarists, they fully understand the needs of the player and bring their expertise to bear on all our products. You can also rest assured that every Marshall amplifier has been designed and engineered to the highest possible standards, so as a result will stand the test of time and constant use. I strongly suggest that you read this handbook carefull

The Program/Value Display will indicate “rL” and the Program Switch LEDs will blink. Release the button and switches. 2. Press the WRITE Button once (“Ld” will display). The factory programs will be loaded into the user area (01~40). When loading is completed, the Program/Value Display will indicate “CP” briefly, and program number 01 will be recalled. Note: To cancel this operation when the program value display reads “rL” press the Cancel button instead of the Write button. Note: If you reload