Both the compact, easily transportable combo and the elegant head versions of the Bassbase 250 are at home on stage and, thanks to sophisticated signal routing possibilities, in the studio. The Basebass 250 is available as a combo or an amp head. The amplifiers are identical in both versions, with the exception that the combo comes with a speaker. Sound quality through tube technology. The Bassbase 250’s preamp is constructed utilizing the classic ECC 83 tube. This tube is responsible for a live

ITALIANO ATTAX-MANUAL 7.0 CARATTERISTICHE TECNICHE SEZIONE PREAMP Canali valvole CLEAN, CRUNCH & LEAD LOW INPUT: -10 dBV/ 1M Ohm HI INPUT: -20 dBV/ 1M Ohm FX-RETURN: -10dBV/ 47 k Ohm FX-SEND: 0 dBV/-10 dB/ 1 k Ohm REC.OUT: 0 dBV/ 800 Ohm SEZIONE FINALE Finale di potenza: solid-state CURRENT FEEDBACK Potenza di uscita: 90 watt su 8 ohm 120 watt su 4 ohm Risposta in Frequenza: 20 Hz - 50 kHz (su 4 ohm) Altoparlante: CELESTION RockDriver Vintage 12”, 8 ohm CARATTERISTICHE GENERALI Voltaggio: 230 V

El ATTAX 50 es el aparato ideal para guitarristas que exigen sonidos autenticos en un amplificador "pequeno". Su etapa de potencia Current Feedback de alto rendimiento proporciona no solo los 40 vatios de potencia sino tambien un temperamento de valvulas conforme a su calidad. La calidad de sonido se debe en gran parte al altavoz RockDriver Vintage 12". Ademas de sus cualidades de reproduccion este altavoz ofrece un rendimiento unico dentro de su categoria; de ese modo el ATTAX 50 se puede compa

CLEAN: Segun el ajuste del preamplificador se pueden obtener diferentes sonidos clean, modernos o tipo ''Vintage''. Con el control VOLUME en rangos mas altos el circuito "SoftClick" proporciona un overdrive suave, como en los viejos amplificadores de valvulas. Si es preciso, este canal CLEAN se convierte en CRUNCH. LEAD 1 & LEAD 2: Clasicos sonidos de Rock con un "feeling" dinamico y muy directo. Al cambiar al modo LEAD 2, el canal LEAD gana un caracter completamente nuevo - mas potencia de bajo

SIGNAL LED: Indicates the presence of an instrument signal at the tube stage. -10 db SWITCH: Lowers the BASSBASE'S input impedance (e.g. for active instruments). DIRECT: Press this button to send the original instrument signal (unaffected by gain settings, voicing controls, FX loop and notch filter) directly to the DI OUT jack, at MIC level. GROUND LIFT: Removes the ground from the chassis at the DI OUT jack. I,/’ ,_‘. ,/,’ GRND DIR 0 0 -10 dB 0 CLIP LED: Indicates all types of clipping in the B

GAIN: Controls the input sensitivity of the BassKick preamp. Adjust to match your instrument’s output level. Higher gain settings produce punchy rock sounds. MID: Determines to what extent the midrange is boosted or cut. TREBLE: Controls the upper frequencies and subsequently the crispness and overtone content in your bass sound. For a warmer sound, this control is situated right after the input stage in the signal chain. In other words, it also influences preamp saturation. MAINS: AC power swit

frequency is boosted or tapered. MAINS: AC power switch SPEAKERS: Use this output to connect external speakers/cabinets. Ensure the overall impedance is not lower than 4 ohms. For the combo version, you can connect one 8 ohm cabinet, and for the head, a maximum of two 8 ohm speaker cabinets in parallel. FX RETUIRN: Connect this jack to the FX processor’s OUTPUT jack. FX SEND: Connect this jack to the FX processor’s INPUT jack. hlka!k 1 .O CONNECTIONS AND CONTROL FEATURES SATURATION LED: Indicate

-Avoid mechanical shocks and exposure to extreme heat, dust and especially moisture. -When connecting peripheral devices, always heed the proper safety precautions. Never connect speakers with inadequate impedances (ohms), and never connect devices with high output signal levels (e.g. power amps) to your amp’s input. -Ensure you have the correct AC power rating available before you plug in the amp. If in doubt, ask the venue’s sound technician or stage hand. -Refrain from DIY repairs! You should

Slight preamp overdrive adds to the flavor. BassKick 505 / 707 Sound IV: The ideal basic setting for a growling, aggressive rock bass The modern all-round sound, suitable for all playing styles. attack (SAT LED). 5 BASSKICK-MANUAL Jhka?!k Activate the SOUNDMATRIX via the front panel switch or an external footswitch. The BassKicks's voicing section also remains active. 3.2 THE INPUT AND VOICING SECTIONS While the SOUNDMATRIX enables you to quickly and effectively select drastically modified sound

. . .6 2.0 POWERING UP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 3.0 AMP MODELS AND EFFECTS . . . . . . . . . . . . . . . . . . . .6 3.1 AMP MODELS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 3.2 EFFECTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 4.0 STANDARD SETUP/CABLE CONNECTIONS . . . . . . . . . .7 5.0 JACKS AND CONTROL FEATURES . . . . . . . . . . . . . . . .7 5.1 OVERVIEW . . . . . . . . . . . . . . . . . . . . . . . .